Funkin’ the Foreshore: Potato Head Comes to the Beach in Bali
In case you were wondering what that big wall of old shutters is doing near the beach in Seminyak, it’s a multi-faceted development called Potato Head Beach Club brought to you by the makers of Potato Head Jakarta (above), a description-defying place that opened back in January 2009. The brainchild of Indonesian international art collectors, Ronald Akili and Jason Gunawan, Potato Head (Jakarta) is an arty party place (bar, resto, music venue, hang central) frequented by socialites, creatives and neo-yuppies. Akili and Gunawan founded Ark Galerie in Jakarta first, then exploded their ideas outwards into the world of food-bev-tainment with Potato Head, calling in cordon-bleu trained foodie Sandra Budiman as exec chef and co-conspirator. Rumour has it the same faces are behind the soon-to-launch Potato Head Beach project in Bali. And that’s what makes it so interesting. Read more…
BREAKING NEWS: ICON Asian Arts Has a Website (Finally)
Our gallery of ancestral arts, ornament, weapons and textiles in Seminyak has been open for more than a year. Better late than never, at long last we have our website up. At present, there are 66 pieces from our inventory shown in the “collections” area of the site. We’ll be adding more material, and improving the site on an ongoing basis, so do bookmark it, and come back often to see what’s new. Expect refinements to design, additional functionality and fresh content during the weeks and months ahead. www.iconasianarts.com.
Well Hung: Javanese Batik Comes Alive at the Fowler Museum
We’ve been applauding the Fowler Museum at UCLA for years. They’ve shown a keen understanding of Indonesian culture, and nobody beats the Fowler at curating and hanging a great show. Their shows always balance the aesthetic and the didactic in the best possible way. Now they’ve done it again, with Nini Towok’s Spinning Wheel, an exhibition of the traditional batik of Kerek, Java (above). Hats off, once again, to the museum’s curator of Asian and Pacific collections, Roy Hamilton. Read more…
Brussels: Apotheosis of the Arbitrary and the Extraordinary Ordinary
We are in Brussels today, where the arbitrary is deliberate, and the unexpected is . . . well . . . expected. Eccentricity is ordinary, serendipity is a ubiquity, and we keep bumping into people we know, as if it were all scripted . . . for the theatre of the absurd. We love it. Discovery du jour, after a stroll through the marvelous Marolles flea market, was the showroom of K. Loan on Rue Blaes.
Bruno says it is like a set from Luc Besson’s Le Dernier Combat. In Brunese, that means, “it’s great.” It is. The photos here do not do it justice, nor does their tiny website. Here is a master of mise en place, who takes weathered industrial steel and juxtaposes ordinary objects and extraordinary ones against them in such a way that voilà! it is a still life. Everybody thinks they can do the same these days. But they are wrong. It takes the eye of one such as K. Loan. A very rare eye indeed. Delightful.
Tilleke & Gibbins : The Only Law Firm in Southeast Asia with a Textile Collection
We must salute these lawyers in Bangkok, Tilleke & Gibbins, who proudly display their collection of Southeast Asian textiles online and in-office. They even put a “Textile Collection” page on their official website to show off their woven assets. The collection includes this marvelous antique head cover from Cambodia (above), as well as numerous other heritage textiles from Cambodia, Burma, Thailand and Laos.
The firm has garnered significant publicity related to the textile collection, including in-depth articles in the Asia Times and the highly-respected magazine of world carpets and textiles, HALI, which gave them four pages. Naturally, we would love to see law firms and other businesses in Indonesia follow suit.
Blog Backlog: Contemporary Textiles in Kolkata
Contemporary textile arts don’t get any better than this. Check out Weavers Studio in Kolkata for kantha cloth, felt, applique, embroidery, hand prints, kalamkari, zardozi, chikanwork, pintucks, pleats, shibori, and more. This is much more than a production house, it’s a textile study and development centre, devoted to fine handwork and learning from the legacy of world textile traditions.
Living Modern: Embrace Time, Return to the Mountain
The recent mass mania for rigorous modernism has tended to vivisect what is most human in our homes, workplaces and public spaces. When the seminal modernist, Le Corbusier (above) declared, “a house is a machine for living in,” the operative word was living. The intention was to shape structures, spaces, and their contents intelligently, to support human life, human dreams, and human necessities – - and always with a weather eye to nature, its rhythms and its imperatives.
Korakot: A Direct Flight from Chula Kites to High Design
His grandfather was a master Chula kitemaker, now Korakot Aromdee makes masterpieces of bamboo using the same fine materials and craftsmanship. His work includes large-scale sculptures, lighting, decorative accessories and architectural pieces. Read more…
Linda Garland’s Latest Superstar Estate in Architectural Digest
Linda Garland has daringly directed the design for director Rob Cohen’s new island retreat in the far east of Bali. In case you missed it in Architectural Digest, read the story with photos here. The district around of this rustic retreat on the shores of Seraya, is looking to become the next Munduk. Only eleven people in the world will know what we mean by that. Fine. Read more…
Where to go when you already live in Paradise? Santorini.
Life is complicated. We just finished (almost) building a house. Building a business. Building a gallery. Bali can be stressful. Imagine that.
I rarely long to go anywhere in particular. When you live in Bali, the travel bug doesn’t bite so hard. But now, after all this stress and the complexities of making and decorating a house, I really want to get away to something completely different. And simple.
The Perivolas in Oia on the Greek island of Santorini looks exactly right. Simple. Without the formality and rigour of a modern-minimalist tropical house, which is what I live in. That’s a change I could welcome right now. Read more…