Susi Johnston Bali Blog

BRUNO PIAZZA: MASTERPIECE

My beloved husband Bruno Piazza died at home in Bali, at dawn on Friday the 28th of October, 2011 after a long and courageous battle with cancer.

Bruno lived an extraordinary and beautiful life, and (not surprisingly) he died a remarkably beautiful death. He was not an artist, he was Art. His life was his masterpiece. Now he has completed and signed that masterpiece, with a flourish, and it is beautiful indeed. It is perfect.

Please forgive me, and forgive Bruno, for our shortcomings, and for any oversights or mistakes we may have made in the past, and for anything we ever did or said that caused you or anyone else any pain or suffering. The evening I dispersed Bruno’s ashes in the Indian Ocean, I saw a new crescent moon. That  bright sliver of a smile in the sky was the sign of a clean, happy, new beginning for us all.

Hic et nunc was Bruno’s mantra. I am beginning to understand it better and better.

A large-scale exhibition entitled Bali: Art, Ritual, Performance will open in February 2011 at the Asian Art Museum of San Francisco, one of the world’s most respected institutions for Asian art. This is big news. Exciting news. The show includes works on loan from numerous international collections, many which have never before been exhibited publicly. Unusual ritual objects ranging from palm-leaf offerings to gilded palanquins will complement the more familiar Balinese art forms such as sculpture, masks and textiles. Read more…

Our gallery of ancestral arts, ornament, weapons and textiles in Seminyak has been open for more than a year. Better late than never, at long last we have our website up. At present, there are 66 pieces from our inventory shown in the “collections” area of the site. We’ll be adding more material, and improving the site on an ongoing basis, so do bookmark it, and come back often to see what’s new. Expect refinements to design, additional functionality and fresh content during the weeks and months ahead. www.iconasianarts.com.

With museum exhibitions and fairs all over the calendar, San Francisco has no “season” for tribal arts and textiles. The most notable fall fair  Tribal SF 2010 starts later this week. It’s organised by the local independent dealer’s association, SF Tribal, and kicks off with a champagne preview reception on October 15th. The venue for this year’s fair (their sixth), is Fort Mason on the bay. Very convenient. Some of our favourite dealers will be there, including Thomas Murray, Andres Moraga, and Joe Loux. That’s Tom’s stand from a previous show above. Gorgeous. For more information click the links herein, or email Andres Moraga at moraga@lmi.net.

It’s too splendid to miss. An exhibition of  300 artefacts from Sumatra opened last night at the Asian Civilisations Museum in Singapore. “Sumatra: Isle of Gold” runs from today through 7 November 2010, giving us all plenty of time to plan a Singapore stopover to see the show, which is the first international touring exhibition about Sumatran culture.

The dizzying array of objects exhibited includes a diamond-studded crown worn by the Sultan of Siak, silk and gold-threaded textiles, beadwork, sculpture, and a glorious trove of  jewelry and ornament. Many pieces are from the ACM’s permanent collection, while others are on loan from the Indonesian National Museum in Jakarta, the National Museum of Ethnology in Leiden, and from private collections, making this an unsurpassed opportunity to appreciate the rich spectrum of this rich island’s culture from the bronze age to the present day.

Kevin Lim has already posted a set of photos of the exhibition opening party on flickr (below), and some of the pieces on show (magical inscriptions in an antique Batak book, above).

Personally, it is gratifying for me to see a major exhibition on the arts and artefacts of Sumatra, as I have been collecting Sumatran textiles, baskets and beadwork for the past two decades. My collections are, of course, available for purchase at ICON Asian Arts and Macan Tidur in Bali.

Last Saturday I presented a program on Indonesian arts and antiquities for a group of young CEOs in Ubud, at Gallery Macan Tidur. Based on these snapshots it looks like I gave an animated performance – - despite the fact I was on crutches, having only just been liberated from a pesky leg cast following an injury last month. My crutch served well as a pointer (below), to indicate the locations of various peoples in the Indonesian archipelago.

The approach we took to consider Indonesian arts and antiquities was to observe the contrast between tribal or primitive styles and courtly or “classical” ones. One finds strongholds of primitive, tribal and archaic cultures to this day in the inland, and mountainous areas of Indonesia, as well as on less-accessible or less-trafficked islands, while more courtly styles tend to be found in coastal areas which were centers of trade and cultural exchange.

We explored how this pattern of distribution allows us to reflect on the nature of society throughout the region during various periods from pre-history to the present day. To illustrate these themes, we examined a variety of textiles, objects, weapons and jewelry from a wide range of cultures across the archipelago, dating from the stone age to the information age.

I very much enjoyed meeting this group of young business leaders who were in Bali to participate in a weekend gathering of the Pan-Asia chapter of YPO (The Young President’s Organization). Their weekend schedule, masterfully organized by Balistarz, was chock-a-block with every imaginable activity that Bali has to offer. Including a Saturday night barbecue bash at the Morabito Art Villa which they were kind enough to invite me to join. Great party, but a bit difficult to negotiate with only one foot functioning. Great company. The vivacity, intelligence and creativity of YPO’s Pan-Asia chapter members gave me new optimism for the future of the region. Go, YPO.

ICON Asian Arts (Bali) and Editions Didier Millet (Singapore) are collaborating to raise Javanese antiques to the level of fine art. The Bali gallery will host on 3 December 2009 two simultaneous events: the opening of the world premier exhibition of the Smith-Tirtoprodjo Collection of Javanese antiques; and the launch of a comprehensive illustrated book on the subject, Javanese Antique Furniture and Folk Art, published by Editions Didier Millet.

The Smith-Tirtoprodjo Collection is the most extraordinary group ever assembled of 18th and 19th century artworks in teak from the villages of Central and East Java. These masterpieces challenge preconceived ideas about Javanese art and furniture, compelling us to regard them not as mere objects of use, but as works of art in their own right. With their primitive purity, power of form, and visceral expression of humanity, these works hold their own among the most celebrated tribal art from all corners of the Indonesian archipelago.

Read more…

Previously, I posted a piece about the “Visual Encounters” exhibition at the Fondation Beyeler, juxtaposing masterpieces of modern painting with masterpieces of tribal art. It’s worth mentioning again, because Tribal Art magazine has just published their first special issue, a volume devoted to the exhibition. It’s 52 pages, full colour, with in-depth text, including a feature on curator Oliver Wick. Buy it at Tribal Art Magazine, for just $10.

If you’re not in Paris right now, you missed it.

Parcours des Mondes is now undeniably the ultimate event on earth for non-western art or arts premier *. It takes place in Paris every September, and if you’re not there now, you missed it, because it ends tomorrow. Book now for next year.

During this extraordinary week, the galleries of Saint Germain are taken over by five dozen or so of the world’s most distinguished tribal art dealers – - those with the sharpest eye, the deepest understanding, the best sources, and the most discriminating tastes. After eight years in existence, Parcours has begun to shake the tectonic plates of the global art trade, garnering attention from the highest echelons of art cognoscenti and the media. That is as it should be.

With contemporary art looking like the painted stepsister of a dodgy derivatives investment, it’s not surprising to find timeless art that reaches deep into the roots of humanity and arises directly from those roots, maintaining its stature, and even growing it. Parcours is the proof – - ça marche. In a time when almost nothing works (including a lot of contemporary art dealers), arts premier works. And why shouldn’t it? Tribal art has always been about efficacy – - in proclaiming power, warding off disease, cultivating fertility, and establishing a place in this confusing universe. Ça definitely marche.

Read more…

The Ashmolean is rebooting. Big plans and improvements are underway, with 39 new galleries happening, to the tune of £61 million. Among them is a major new space for textiles. Textilism is officially a trend. In recent years numerous upper-echelon museums have created spaces devoted to textiles as art, notably the DeYoung in SF, among others.

The textile tale of the Ash in a nutshell: The Ash says one of its “best kept secrets is its large collection of textiles.” Just announced, £122,000 was awarded to the museum to support their forthcoming textiles gallery and allow more of the cloth in their collection to go on display. The collection numbers something over 4,000 pieces (that’s just twice my own private collection, interestingly). Download a flyer on the new textiles gallery here.

The New Ash reopens with a bash this November. If we had an invite for the opening night we would surely be there despite it being half a world away.